SLEE, Max

ISBN 978-1-922452-72-6
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Canowie Station

In 2021 Old Canowie celebrates the 175th Anniversary of its foundation in 1846. This historic homestead, mid-way between Hallett and Jamestown in South Australia’s Mid North, is a remnant of the former Canowie station and Canowie Pastoral Company.
The Company was one of the earliest corporate pastoralists. Most such enterprises are owned by just one family, but the surnames of Canowie station owners and managers reads like a Who’s Who of the leading South Australian pastoralists of the provincial era.

Although the once-renowned Canowie estate has long since been subdivided into highly-productive grain farms, and its famed merino stud now operates elsewhere, for half a century the Company ran one of the most influential and prosperous sheep stud enterprises in Australia.

The genetic strength of the magnificent Canowie sheep evolved into a large framed combing wool merino, known generically as the ‘South Australian strain’. At the 1911 Royal Adelaide Show, Canowie stud rams scooped the prize pool in every category, which was a record.

By 1903 over 2,000 swagmen per year received their customary two meals and a bed at Canowie. By 1905 it was the largest private freehold landholder in South Australia.

With some shareholders having returned to England, land reformers complained that it was the third largest absentee landholder in the State, the largest being the South Australian Company. But, having sought and achieved immunity from the land reformers, the Canowie Pastoral Company was unexpectedly liquidated at the height of its prosperity.

A series of lucrative auctions of Canowie land commenced in 1909, culminating with the homestead and stud in 1925. That of 1910 was the largest single auction of freehold land ever held in South Australia to that time.

Exhaustive research now reveals the fascinating history of Canowie’s exciting frontier origins, its expansion into prosperous corporate pastoralism, and then voluntary liquidation at the peak of its success, leaving a remarkable legacy to the Australian wool industry.

BENO, Robert

ISBN 978-0-6486616-2-7
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ISBN 978-1-922337-30-6
EBOOK

Aligning to Aliveness

Robert Beno grew from humble beginnings to become a successful attorney. While he had an avid interest in things of a spiritual or metaphysical nature since childhood, as a young adult he entered a deep ‘soul sadness’ or ‘dark night of the soul’ that lasted over a decade; during this time he endured many successive, intense challenges. In facing his deepest fears and darkest wounds that tested the very limits of the human condition, a process of awakening unfolded, which served to bring about a deeper joy through the simple act of Being and with that joy has come inner peace.

This book is testimony to the indomitable and transcendent power of the human spirit to reconnect with Source and return home in the deepest sense. Through simple guidance and intrinsic wisdom Robert pierces the veils of illusion that appear to hold us captive to mind-based patterns and profoundly reaches into the very heart of life itself, sharing insights to inspire and empower humanity through its collective heart awakening as we each evolve into higher levels of consciousness and deeper states of love and loving kindness.

About the Author

Robert Beno has a deep love and passion for sharing insights that may serve to empower and awaken the heart of humanity to its true nature, to its innate essence as the very river of consciousness that is life itself.

Robert presently lives in Sydney, Australia

A portion of the proceeds from the sale of this book is lovingly diverted to benevolent causes and philanthropic organisations chosen for their dedication and integrity in serving the greater good.

WILDE, Diana

ISBN 978-1-922452-98-6
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I Don’t Wear Step-Ins Anymore.

A step-in or girdle was worn in the 50s and 60s to control the flab of a female body. Dianne escaped the control of a conservative and Christian middle class family in Sydney and sailed to England in 1968. On arrival, she disposed of her constrictive clothing and began living a swinging London life. A year later, and after a visit from her parents, she moved to a Swiss Village for 6 months. Finally, she travelled home overland by Sundowners bus from London to India in 1970.

This memoir is from letters documenting her overseas journey of discovery. In January 2012 aged 64, she re-read and transcribed at least 300 letters and aerogrammes, after being told by an older cousin, she had been adopted at birth. She re-discovered the controlling mother she couldn’t stand growing up, and even while bringing up a family of her own.

Her adoptive mother Ruby was the one who gave her back all the letters written to her, suggesting she may wish to write a book one day about her travels. This memoir is a homage to her, and also to her adoptive father George, who constantly encouraged her to take off the step-ins and try everything in life.

SCHULTZ, Amanda & MAYFIELD, Greg

ISBN 978-0-6485614-5-3
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ISBN 978-1-922337-21-4
EBOOK

Whit

‘My father was a policeman – he was shot’
Pebbly Beach remains a timeless place, but it holds a dark secret

The waves lap at the stony shore, seemingly wearing away at a 38-year-old mystery – the death of South Australian police Inspector Geoff Whitford.

Who was this man who headed a highly-secretive organised crime task force? Why did he take his own life on this lonely piece of South Australian coast, leaving suicide notes to be found on October 22, 1981? Why did he leave behind a wife and three daughters?

In these pages, Amanda Schultz, the youngest daughter, sets out on a journey to discover her father, as seen through the eyes of his colleagues and superiors. Her goal was to “meet” her father so she could share her lived experience and support and educate others about suicide awareness.

Amanda, herself a former police officer and now a corporate executive, collaborated on this book with Greg Mayfield, who was a police reporter at The Advertiser at the time of the incident. The pair weave an intriguing story of a career detective who loved life, was slated to be the next Police Commmissioner and whose death has never been fully explained.

It was an era when South Australia was wracked by sensational allegations of corruption against its police force and drug squad. Amanda, who was aged nine years old at the time of her father’s death, travels far and wide to meet the people who knew her father best. Her unrelenting search for answers – and plea for access to secret Coronial files – results in the case being mentioned in State Parliament in Adelaide.

Is the tide of opinion gathered by Amanda enough to break open the official silence on the matter? You be the judge.

‘Amanda discovers her Dad through yarns that are hilarious, absurd, harsh, inspiring and tragic, but always insightful … why did a conscientious and incorruptible detective die?’

Michael O’Connell AM APM, former SA Commissioner for Victims’ Rights

‘A powerful story well told.’

John Silvester, crime reporter and co-author of Underbelly

 
 

About the Author

47 year old wife, mum, sister and daughter, Amanda Schultz decides she needs to “meet” her dad 37 years after his alleged suicide, which occurred when she was just 9 years old. Amanda’s goal is to share her story and if she can help just one dad to understand it doesn’t make everything better for those you leave behind then her “lived experience” is positive. Amanda is supported by long time journalist Greg Mayfield who has always had a strong interest in the story of Geoff Whitford and what led to these tragic circumstances throughout the early 1980’s in SA Police.
 

SYKES, Sezzajai

ISBN 978-0-6485614-9-1
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A Pandeme of Bees

pandeme (pan-deem) is a composite of Greek words Pan and Deme meaning “All encompassing possession of flowers and bees in one place”

Pandeme of Bees is a collection of mellifluous, sensual bee poetry. The poems are multilayered. They are cryptic, abstract, hidden, opening, lascivious. The themes interweave to create a word meadow to feed, entice, seduce and seed love for the bee and the hive.

SezzaJai is a word smith, bee keeper and mystery navigator. She has translated an epistemology of bee behavior into human emotion. Her deep understanding of scientific apian research has been word forged into the rhyme and rhythm of beauty and inner knowing of bees.

About the Author

SezzaJai is a performance artist, enjoying engaging community in spoken word, Bee dances, community talks and awareness raising events.  SezzaJai has developed ‘Bee Theatre’ which is a fun, engaging experience to playfully explore and inhabit the Hive. This an immersive practise to gain an insects perspective in the world. It is a noisy, chaotic, cohesive, somatic exploration that can inform our own earth supporting practices.

SezzaJai has helped tend Bees in England, France, New Zealand Australia, which includes helping on commercial Bee farms as well as bee- centric gardens that inform local bee keeping practices.